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Fifteen minutes of fame or any a life of infamy: media and power in contemporary cinema

Summary

communication sciences have been incorporated in the problematization of its object of study, theoretical and methodological instruments an Alisis discourse as a way to explain the significance of processes disseminate certificates issued by media messages.

parallel an Alisis the discourse has yet to incorporate a lesson from science communication. Attempts by some authors to strengthen ties between the two fields of study have led to discourse analysis I l \u200b\u200b mass messages, be it radio, television, film and Internet.

This type of analysis not only pays attention to the regularities and linguistic structures themselves ismas m, be argumentative or narrative, but that relates to pr ocess generation sense of image and sound is not articulated in words. What emerges as a phenomenon audiovisual phenomenon whose characteristics require other categories of analysis provenian TES studies of contemporary visual culture and, in particular, the valuable research semiotics of cinema.

On the other hand, the political communication in our country not only relies on the logic to the show, in strategy spot 20 seconds or display media of privacy, but lso t , and increasingly with greater intensity in the deliberate manipulation of the image and sound. Therefore, this paper or presents the results of an investigation of how a corpus of 13 films from different countries related vides three issues: the media, politics and power.

Issues and linguistic categories - argumentative and narrative - are articulated with the analysis of strategies and resources pageant in terms of communicative intention, rhetoric of audio-visual according to three macrocosmic gories cinematic construction of space and time: the staging, the STA can camera and editing.

This not only seeks to better understand the processes of signification in media messages from the media, but also provide elements t eóricos and the relevant methodological theoretical debate and discourse analysis.

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"We do not make the news, present it." Discourse analysis and film Good Night, and Good Luck

Summary . In 2005, George Clooney or surprised na film not only politically correct, but stylistically impeccable. The relationship between television, politics and journalism, presented and n the film, requires a discourse analysis that shows how to build relationships po der public in contemporary societies. So parallel, analysis of some sequences of this film independent film U.S. dependence can reveal between the subject and expression mechanisms propiame film nte evidenced in the use of black and white, the foreground, of music and archival footage.

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The transformation of the index in the cinema in the digital age: Analysis of the film the movies The Matrix and The Matrix Reloaded

Summary. regularly, you l debates about the status of the cinematic image and its relationship with the represented world, have always started with a detailed study of photography, as stated in 1945 as André Bazin "photography and film are inventions which will definitely satisfy your essence and the obsession with realism " (Bazin, 2001, p 26). Realism connected to record the light footprint that is the reality effect of the cinematic image.

However, digital imaging has changed the necessary relationship to its referent. This new option comes from the use of computers in film, the formal principles of which are already in the nineteenth century photography. To give a detailed account of the transformation of the index in the film, a first step is to understand the movies that interest us here, according to three converging perspectives: the liberation from the viewpoint of the camera of the characters, the contribution to the study of human movement who provided the photograph and the application of the techniques of photomontage experienced since 1857. It follows, a process of continuity in the relationship that has had the film on the incorporation of technologies when producing a film that translates to the viewer the ability to view not only others, but other conditions of those things.

This study aims to incorporate the discussion of understanding the cinematic phenomenon semiological point of view, aesthetic and communicative signic condition is threefold: sound, visual and technical.

Match: Castellanos Cerda, Vicente (2006). "The transformation of the index in the cinema in the digital age: analysis of cine films The Matrix and The Matrix Reloaded "in Rebeil, Maria Teresa. XIII CONEICC Research Yearbook. CONEICC. Mexico.

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Basic skills Professional communication: theory and methodology to the rescue.

Summary . The text gives a description of disciplinary skills developed and n most curricula Communication Sciences. To that end, the problem pokes the notion of competition and is divided into three main results learning: knowledge, skills and abilities, they communication that the graduate learns or should learn, along of their college career.

Overall, this type of learning is aimed ado to the understanding and reflection on scientific knowledge, skills own academic research in communication sciences, including the particulars of Writing ura, and the use of techniques and data collection tools.

In the last part, and expose a series of arguments in favor of strengthening the thought critical to the economic and political context which gives media professional work and n Mexico.

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The pleasure of watching movies cinema nude

When the lights dim and the screen reflects the shadows turned into recognizable figures, the film viewer is prepared in various ways to enjoy the next few hours. Some take the position more comfortable, others focus on the screen, cry less and less or whistle, the increasingly sent the last message phone or make a call like momentary farewell ritual world, while educated viewers respect the canon of good taste in art, so silent pending intellectual enrichment is only given to the sensitivities encouraged from early childhood.

Match: Castellanos Cerda, Vicente (2006). "The pleasure of watching films," in Revista Tierra Adentro. Number 141, August-September. CONACULTA. Mexico.

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If the winner of Cannes in 2004 with the film Fahrenheit 9 / 11, the American Michael Moore, had managed to re-elect George Bush not four more years as president of the United States, perhaps we would be in the presence of unchecked power in the relationship between politics, media and society . And yet, the "Great Communicator", the actor Ronald Reagan, ruled for eight years as the world's superpower, and Arnold Schwarzenegger, today one of the important people of science fiction film, a region that governs itself is one of the world's largest economies, California.

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media trends in contemporary cinema

Summary. The text develops an overview of contemporary cinema. The starting point is the Hollywood film which is confronted with independent and national cinemas, particularly the Mexican , to find differences and similarities. Also refers to the central role of new technologies and global markets in the future of cinema.

Match: Castellanos Cerda, Vicente (2006). "Trends in contemporary cinema." Revista Digital Universitaria. UNAM. Mexico.

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