The transformation of the index in the cinema in the digital age: Analysis of the film the movies The Matrix and The Matrix Reloaded Summary. regularly, you l debates about the status of the cinematic image and its relationship with the represented world, have always started with a detailed study of photography, as stated in 1945 as André Bazin "photography and film are inventions which will definitely satisfy your essence and the obsession with realism " (Bazin, 2001, p 26). Realism connected to record the light footprint that is the reality effect of the cinematic image.
However, digital imaging has changed the necessary relationship to its referent. This new option comes from the use of computers in film, the formal principles of which are already in the nineteenth century photography. To give a detailed account of the transformation of the index in the film, a first step is to understand the movies that interest us here, according to three converging perspectives: the liberation from the viewpoint of the camera of the characters, the contribution to the study of human movement who provided the photograph and the application of the techniques of photomontage experienced since 1857. It follows, a process of continuity in the relationship that has had the film on the incorporation of technologies when producing a film that translates to the viewer the ability to view not only others, but other conditions of those things.
This study aims to incorporate the discussion of understanding the cinematic phenomenon semiological point of view, aesthetic and communicative signic condition is threefold: sound, visual and technical.
Match: Castellanos Cerda, Vicente (2006). "The transformation of the index in the cinema in the digital age: analysis of cine films The Matrix and The Matrix Reloaded "in Rebeil, Maria Teresa. XIII CONEICC Research Yearbook. CONEICC. Mexico.
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