Wednesday, October 25, 2006

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"We do not make the news, present it." Discourse analysis and film Good Night, and Good Luck

Summary . In 2005, George Clooney or surprised na film not only politically correct, but stylistically impeccable. The relationship between television, politics and journalism, presented and n the film, requires a discourse analysis that shows how to build relationships po der public in contemporary societies. So parallel, analysis of some sequences of this film independent film U.S. dependence can reveal between the subject and expression mechanisms propiame film nte evidenced in the use of black and white, the foreground, of music and archival footage.


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Sunday, October 1, 2006

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The transformation of the index in the cinema in the digital age: Analysis of the film the movies The Matrix and The Matrix Reloaded

Summary. regularly, you l debates about the status of the cinematic image and its relationship with the represented world, have always started with a detailed study of photography, as stated in 1945 as André Bazin "photography and film are inventions which will definitely satisfy your essence and the obsession with realism " (Bazin, 2001, p 26). Realism connected to record the light footprint that is the reality effect of the cinematic image.

However, digital imaging has changed the necessary relationship to its referent. This new option comes from the use of computers in film, the formal principles of which are already in the nineteenth century photography. To give a detailed account of the transformation of the index in the film, a first step is to understand the movies that interest us here, according to three converging perspectives: the liberation from the viewpoint of the camera of the characters, the contribution to the study of human movement who provided the photograph and the application of the techniques of photomontage experienced since 1857. It follows, a process of continuity in the relationship that has had the film on the incorporation of technologies when producing a film that translates to the viewer the ability to view not only others, but other conditions of those things.

This study aims to incorporate the discussion of understanding the cinematic phenomenon semiological point of view, aesthetic and communicative signic condition is threefold: sound, visual and technical.

Match: Castellanos Cerda, Vicente (2006). "The transformation of the index in the cinema in the digital age: analysis of cine films The Matrix and The Matrix Reloaded "in Rebeil, Maria Teresa. XIII CONEICC Research Yearbook. CONEICC. Mexico.

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Basic skills Professional communication: theory and methodology to the rescue.

Summary . The text gives a description of disciplinary skills developed and n most curricula Communication Sciences. To that end, the problem pokes the notion of competition and is divided into three main results learning: knowledge, skills and abilities, they communication that the graduate learns or should learn, along of their college career.

Overall, this type of learning is aimed ado to the understanding and reflection on scientific knowledge, skills own academic research in communication sciences, including the particulars of Writing ura, and the use of techniques and data collection tools.

In the last part,
and expose a series of arguments in favor of strengthening the thought critical to the economic and political context which gives media professional work and n Mexico.

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