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Aesthetic experience in film: other routes

Summary. The approach to aesthetic experience in the film places emphasis on other characteristics linked with film determinant of cognitive and emotional responses of the viewer. This is a particular and non-transferable experience is built through the articulation of the formal elements a movie.

Contributions to the explanation of the film derived from the study of the experience can be summarized in three drafts: one of theoretical perspective, another empirical-analytical approach and a third in the understanding an artistic phenomenon culture that has helped shape the profile of the twentieth century societies.

Match: Castellanos Cerda, Vicente (2004). "The aesthetic experience at the cinema, other routes of film studies," in Goutman (COORD). FCPyS UNAM, Mexico.

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film studies film experience: mind movies and film analysis

This essay takes up and explains what a German psychologist Hugo Münsterberg, proposed in 1916 with the cinema: to separate it from its apparent dependence on the theater and think about science trinomial-art performance for the understanding of the procedures mental experience cinematográfica, principalmente las que genera el cine narrativo. Sobre esa base analiza dos películas: Pulp Fiction y Memento.

Ficha: Castellanos Cerda, Vicente (2004). "La experiencia cinematográfica: cine y mente". X Anuario CONEICC de Investigación de la Comunicación. CONEICC. México.


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En este texto se exponen las relaciones entre la puesta en escena, en cuadro y serie del cine con los intereses y maneras de ver del espectador, en el contexto de la propuesta de Roland Barthes of the generation of meaning. It also classifies multiple formal elements of film to give an account of how this medium is inseparable from technological status in the process of generating thoughts and emotions in the viewer.

Match: Castellanos Cerda, Vicente (2003). "Form and film analysis," in MALDONADO (Coord): Investigation of the communication. Mexico at the dawn of the XXI century. AMIC. Mexico.

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