film analysis areas must identify where the film is as a stimulus to our experience and perhaps learn something because you feel and understand. The paths of film analysis are varied, but really one could account for an experience so personal and subjective, crossed by the area of \u200b\u200bemotions? How to scientifically analyze a film, if this is feasible? All text is analyzable film systematically.
Match: Castellanos Cerda, Vicente (2002). "The film viewer's aesthetic experience: ways of feeling and understanding to the movies" in MALDONADO (Coord): Horizons communicative in Mexico. Critical studies. AMIC. Mexico.
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