En este texto se exponen las relaciones entre la puesta en escena, en cuadro y serie del cine con los intereses y maneras de ver del espectador, en el contexto de la propuesta de Roland Barthes of the generation of meaning. It also classifies multiple formal elements of film to give an account of how this medium is inseparable from technological status in the process of generating thoughts and emotions in the viewer. Match: Castellanos Cerda, Vicente (2003). "Form and film analysis," in MALDONADO (Coord): Investigation of the communication. Mexico at the dawn of the XXI century. AMIC. Mexico. To download click on the image: 
Form and Aesthetic Experience film viewer: ways of feeling and understanding the film film analysis areas must identify where the film is as a stimulus to our experience and perhaps learn something because you feel and understand. The paths of film analysis are varied, but really one could account for an experience so personal and subjective, crossed by the area of \u200b\u200bemotions? How to scientifically analyze a film, if this is feasible? All text is analyzable film systematically. Match: Castellanos Cerda, Vicente (2002). "The film viewer's aesthetic experience: ways of feeling and understanding to the movies" in MALDONADO (Coord): Horizons communicative in Mexico. Critical studies. AMIC. Mexico. To download click on the image: 
